Tuesday, 7 April 2015

BEST Church in Richmond, VA

This morning I did a quick write-up of James Wines's Green Architecture for my Unpacking My Library blog, which spurred me to look through my blog for posts on Wines. One of the numerous posts happened to still be in draft mode, so I decided to finish it and present a brief look at SITE's BEST Showroom turned church in Richmond, Virginia. 

Wines's designs for BEST showrooms – nine of them in total – are well known, even though the company no longer exists and most of their buildings have been demolished or renovated beyond recognition, so I won't to into detail on them here. But the architect's description is a good place to start (my emphasis):
"Each of these architectural concepts treated the standard 'big box' prototype as the subject matter for an art statement. By means of inversion, fragmentation, displacement, distortions of scale, and invasions of nature - these merchandising structures have been used as a means of commentary on the shopping center strip."

This "invasion of nature" was found in 1980's Forest Showroom on Quioccasin Road in Richmond:

[Site's Best Showroom Forest Building, 1980]

Cultural Ghosts has an excellent multi-part post on the BEST showrooms, saying this about the Forest Showroom in Part 3:
"Once a shopper got closer they could see that the whole front section of the structure was disengaged  from the main store, and a shallow trench overflowing with vegetation filled the space between the two fragments. Trees grew up between the sections, making it seem as if nature was reclaiming the area. A short bridge over the trench allowed access to the showroom."

[Summertime aerial from Google Maps]

I love the idea of the store design, and I'm glad that the building still exists with the design concept still intact, as these two aerials show. But instead of serving as a showroom for furniture and other goods, the building is a church, the West End Presbyterian Church, which bought the building in 1998. It's also refreshing that the church celebrates the history of the building, both through a short page on its website and the more important act of maintaining the nature that infiltrates the building's two facades.


[Wintertime aerial from Bing Maps]

Addendum: The conversion of buildings, such as big-box retailers and shopping malls, is increasingly common, though the norm is the opposite of the "BEST Church," in that typically the starting point is less architecturally significant. Therefore most retail/industrial/etc-to-religious conversions benefit from some architectural skill that can elevate mundane, bottom-line buildings into something special. A quick Internet search yields the Lexington Mall in Kentucky, now the Southland Christian Church, among many dead malls "resurrected" as churches. And a great example that springs to mind is the Congregation Or Hadash Synagogue in Atlanta, converted by BLDGS from an auto repair facility into someplace magical:

Monday, 6 April 2015

Friday, 3 April 2015

Thursday, 2 April 2015

Protect the Desert 'City'

Over the weekend I watched Levitated Mass, a documentary on Michael Heizer's rock sculpture of the same name that was moved in 2012 about 100 miles from a quarry east of Los Angeles to LACMA. While I appreciate that artwork for what it is, I am more fond of the large-scale works of Heizer, like Double Negative and City, both in Nevada; the former was completed in the late 1960s and the latter started in 1972 and is in the final stages of completion:

[Aerial view of Michael Heizer's City from Bing Maps]

City, as I learned at Architect magazine, is under threat, since there is a possibility the area around the land Heizer owns could "becom[e] a missile site, oil and gas reserve, or a nuclear waste rail line." That article points to a petition, Take Action to Protect Basin and Range, which gives three reasons for protection, one of them to:
Preserve the uniquely American landscape art work by Michael Heizer, City. With a relationship to the earliest archeological sites that are inextricably linked to the landscape, City cannot be experienced within a museum given it is more than a mile in length and a quarter mile in width.
This is a very real concern, given that in Heizer's earlier Effigy Tumuli in Ottawa, Illinois, the "sculptures have deteriorated to the point of unrecognizability" since their completion in 1985:

[Aerial view of Michael Heizer's Effigy Tumuli from Bing Maps]

Of course, where Effigy Tumuli suffered from adverse effects to the land art itself (due to mismanagement, I'd wager), the problem in Nevada is keeping City isolated. LACMA's Scott Tennent put it this way: "As with many of Heizer’s greatest works, the sculpture is incomplete without the surrounding landscape. The solitude of 'City' is part of its power. To have the surrounding land developed into anything would severely impact Heizer’s work."

The petition to protect the Basin and Range land can be signed on Facebook.

Wednesday, 1 April 2015

Today's archidose #826

Here are some photos of Sou Fujimoto's Palm Court Facade (2015) in the Miami Design District, photographed by John Zacherle.

Palm Court

Palm Court Facade 1

Palm Court Facade 2

Palm Court Facade 6

Palm Court Facade 5

Palm Court Facade 4

To contribute your Flickr images for consideration, just:
:: Join and add photos to the archidose pool
To contribute your Instagram images for consideration, just:
:: Tag your photos #archidose

Tuesday, 31 March 2015

Book Review: Paradigms in Computing

Paradigms in Computing: Making, Machines, and Models for Design Agency in Architecture edited by Dr. David Jason Gerber and Mariana Ibañez
eVolo Press, 2014
Hardcover, 400 pages



One key to the direction computation in architecture is taking can found in this book in an unlikely place, tucked underneath the long bio of architect and theorist Neil Leach: "He is currently working on a research project sponsored by NASA to develop a robotic fabrication technology to print structures on the Moon and Mars." Considered with a news item like Norman Foster's involvement in a European consortium to "explore the possibilities of 3D printing to construct lunar habitations," and to a lesser degree Turkish architect Gulay Yedekci's design of "an entire extraterrestrial community which could one day be home to human beings on Mars," there are signs of a trend toward using the new forms of architecture generated and built through the use of computers for environments beyond earth.

An extraterrestrial trend certainly isn't a shared belief by all architects of the computational ilk – or those contributing to this volume published by eVolo, known for the annual Skyscraper Competition, where some entries would be at home on other planets (the 2015 results have just been released) – but this apparent trend points to the importance of margins in the adoption of computer technologies in design and fabrication. When somebody works within the environment of a piece of software or other technology, rather than, say, the realm of the pencil or the hand-built model, the software's rules are exploited toward the discovery of whatever can be accomplished. "Blobitecture" came about in the 1990s as architects played around with Rhino before anybody could figure out how to build the NURBs and other geometries and surfaces. Today blobs can be built at various scales, and 3d printing is pointing the way to realizing just about anything that can be imagined and modeled. And, moving forward, what is the most significant human margin? I'd say the atmosphere (or perhaps death, but that is less architectural). So it's no wonder that some architects are dreaming of ways to burst through the atmosphere to realize new environments for human habitation.

While I doubt that Gerber and Ibañez intended such a reading with their collection of essays (with contributions generated by a call for submissions "for positions from industry and academy thought leaders for their sensibility and production of computationally influenced practice and research"), their assertion in the book's introduction lends some gravitas to what they compiled: "There was a sense of a parallel to the Precambrian explosion." They are referring to the exponential growth of technology and its related design tools in the last few decades, but equating it with the diversification of life over 500 million years ago to more complex creatures is telling. Beyond more complex architectural forms, combined with the technology needed to build them, there is what they describe as "a rapid diversification and an explosion of creative capability." One segment of this diversification includes building on other planets, but this collection shows it consists of many more avenues that share equally high levels of ambition, optimism and belief in pushing on the margins until they bend or break.

Book of the Moment: Herman Hertzberger

If any architect deserves a monumental survey of their work it is the Dutch architect Herman Hertzberger. Heck, the 82-year-old architect deserves the Pritzker Architecture Prize, too. Although nothing can be done about the latter, at least for another year, April sees the release of Robert McCarter's Herman Hertzberger from nai010 publishers, a 524-page monograph with 600 full-color illustrations. For those in The Netherlands, a book launch is taking place in Amsterdam on Saturday, April 11; details are below.


[Cover and spreads courtesy of nai010 publishers]

Description from the publisher:
Herman Hertzberger (b.1932) is one of the most important and critically influential figures in international architecture of the late twentieth and early twenty-first centuries. A constant champion of fundamentally humanist modern architecture, Hertzberger is rightly regarded as the world’s foremost designer of schools, a building type he has almost single-handedly redefined.

Hertzberger believes that architecture is above all else a shared, collective discipline. His world famous lessons in architecture involve ethics and edification, engagement of the built legacy of those who lived before us, and the fundamentally optimistic and constructive intention to make the world a better place for the people who live in it. With a foreword by Kenneth Frampton, this monograph by acclaimed international author Robert McCarter examines Hertzberger’s most important architectural works through analysis of the design process and guiding ideas, particularly as these reflect Hertzberger’s engagement with the Modernist tradition, architectural history, urban space and the way we experience it.


Book Launch:
Saturday, 11 April 2015, 15:00-17:00
De Amsterdamse Montessori School
Willem Witsenstraat 14, Amsterdam
Please register via rsvp@nai010.com

Program:
– Welcome by Eelco van Welie , director nai010 publishers
– Architect and researcher Hans Teerds interviews author Robert McCarter about his research into the oeuvre of Herman Hertzberger
– Nanne de Ru, director of The Berlage and co-founder of Powerhouse Company, will discuss the influence of Hertzberger on architectural education and the new generation of architects
– Presentation of the first copy to Herman Hertzberger
Book sales and book signing afterwards
Special discount price € 49.50 (regular price € 69.50)
The language of this afternoon is English